Uncommon God, Common Good
1/10/14 at 05:21 PM 0 Comments

How Does the Pagan Play “Rent” Bear Witness to Christ?

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What do we make of the relation of the sacred and secular? For example, what makes Christian art Christian, if it is Christian? Do certain Christian symbols like the cross make a piece of art decisively Christian? Do the lack of those symbols make it unchristian or non-Christian? If the latter were the case, what then would one make of the Book of Esther, where God’s name is not specifically mentioned? Esther is considered sacred literature traditionally to Jews as well as Christians.

I remember having this discussion years ago, when one of my seminary classes and I went to see the play, Rent. During the intermission, I said to a few students that I saw more gospel themes and values in this pagan play than I found in some Sunday School flannel graph presentations. Of course, a live play or a movie will always win out over flannel graph in terms of aesthetic appeal; but the raw earthiness of the play won out over the felt texture of some of the Christian conversations. Sometimes we know the Bible so well we no longer understand it. When the theme song of Rent cries out words about betrayal from landlords (homeless artists) and blood cells (AIDS victims) and lovers (broken relationships), I was taken onstage of the human tragedy where Christ lives. Just as there was no room for the homeless at the Holiday Inn in New York around Christmas at the end of the second millennium, so there was no room for Jesus in the inn at the beginning of the first millennium. Jesus knows their struggle, and Jonathan Larson alluded to it in his script. Yes, there was the allusion to the Christian story, albeit briefly, but the theme of betrayal and abandonment and longing for love and community was exceptionally secular yet sacred at the same time.

All the world is a theater of redemption, not simply the church. Secular plays and movies can serve sacred ends in pagan forms, not simply Christian art and Sunday School flannel graphs. Can you think of other examples beside my illustration of Rent? What stands out to you about such pagan forms and how they bear witness to sacred ends?

This piece is cross-posted at Patheos. Comments made here are not monitored. To join the conversation, please comment on this post at Patheos.

Dr. Paul Louis Metzger is the Founder and Director of The Institute for the Theology of Culture: New Wine, New Wineskins and Professor at Multnomah Biblical Seminary/Multnomah University. He is the author of numerous works, including Connecting Christ: How to Discuss Jesus in a World of Diverse Paths and Consuming Jesus: Beyond Race and Class Divisions in a Consumer Church. These volumes and his others can be found wherever fine books are sold. More information at Dr. Metzger’s work is available at paullouismetzger.com.

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